Alcina. An Opera. As it is Perform'd at the Theatre Royal in Covent-Garden

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
British Library

T021188

Altered from the 'Orlando Furioso' of Ariosto by Antonio Marchi. Page numbers 11, 12 are repeated; text and register are continuous. Parallel English and Italian texts.

London : printed for T. Wood, and are to be sold at the Theatre in Covent-Garden, 1735. 53[i.e. 55],[1]p. ; 8°