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An exploration of women's contribution to visual culture in major Western urban centers, this collection also sheds new light on women's relationships with the processes of modernism and modernization. The essays in this volume analyze women's work in a variety of mediums, including design, print, illustration, murals, poster art, costume design, and film as well as more conventional forms of painting and sculpture in the interwar period (1918-1939). International in scope, the volume discusses artists and exhibitions from the United Kingdom, Greece, Mexico, France, Ireland, and the United States. The contributors place a strong emphasis on archival research yet each addresses contemporary concerns in feminist art history. By focusing on a very specific time period, the essays place a central concern on the history and theory of art and gender and are united by their coherent focus on women's role in the agency and mediation of artistic production between the wars.
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