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Welcome to Brighton Beach of the 1930s and early '40s as filtered through Simon Sloan, from youth to would-be artist-as-a-young-man at Brooklyn College to the eve of his induction into the army. Wallace Markfield perfectly captures this Jewish neighborhood -- its speech, its people, its unique zaniness. But like any masterpiece -- Joyce's Dubliners comes readily to mind -- Teitlebaum's Window both survives and expands upon its time and place. While remaining rooted in the specifics of its own world, thirty-seven years after first being published it teems with Markfield's inventiveness, hilarity, and singular voice.
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