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Blake said of his designs, 'Tho' I call them Mine I know they are not Mine'. Then who owns Blake? Where does his work begin and end? There is something about reading and viewing Blake's multimedia which spurs creation in response. His reception goes far beyond academic criticism because he is more than just a literary figure: artist, printmaker, philosopher, revolutionary, visionary, Blake has always been more than words on a page. This volume follows some of his digital and analog regenerations in the fields of comics, cultural criticism, copyright; sculpture, surrealism, art history, art therapy; film, folk, rock, pop, and the afterlife of Blake's own music and lyrics. A variety of virtual selves has been created for Blake, his works, and his audience by the twentieth-century dissemination across a wide variety of media, and the more recent interactive possibilities raised by Web 2.0 as technology and as concept.
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