EVOL

They built an entire world to make people like her disappear. Dria was happy to help. Under Augur — the intelligence that saved humanity from the sky and then taught it what to fear next — being an Evol is not a gift. It is a sentence. Dria has spent her whole life folding herself smaller, believing every lesson the screens ever taught: that what she is, is a curse. She has become very good at vanishing. It turns out that's a power, too. Then the boy who has quietly guarded her for years pulls her out — into a hidden valley of people the regime swears do not exist. A brother she was never meant to find. A blind boy who reads the world in frequencies. A grey-eyed stranger who makes the impossible look like mercy. For the first time, Dria is seen. And being seen, she learns, is its own kind of terror. But Augur does not lose things. It places them. The rescue pulling her new family toward the heart of HELL was built — the bait sewn into her own skin — and the woman waiting at the center wears a mother's voice over a monster's hunger. Some of what Dria finds there shares her blood. Some of it, she will have to become. They made a world that looks away from girls like her. She is going to make it look. For readers of Tahereh Mafi's Shatter Me, Alexandra Bracken's The Darkest Minds, and Victoria Aveyard's Red Queen. EVOL, read backward, was only ever LOVE.